Miranda Otto Shares Insights on Acting, Devoted Fans, and Life's Lessons.
Through a thoughtful interview, Miranda Otto delves on topics ranging from her latest role as Queen of the Cuttlefish to the profound lessons gleaned from onstage mishaps and meeting admirers.
If You Could Be a Sea Creature for a Day
The most recent role is the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Straight away, that particular fish found at a specific shoreline – because it’s a local landmark, and people go there to see it. It strikes me it’s cool that there’s a local fish that folks genuinely seek out and discuss – it’s a special fish.
A Cinematic Favorite to Revisit
Which movie do you always return to, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this picture. During my childhood, it used to come on television every now and again, and once I videotaped it. I found it was so funny. It stars the legendary Carole Lombard and comedian Jack Benny. Recently they were playing it at a cinema and I discovered that it was also the favourite film of a friend of mine, and so we went and just laughed and laughed. It’s such masterful work of humor and the entire cast in it are superb. Mel Brooks did a remake in the 1980s – which was not as effective. But Lubitsch's version is a brilliant comedy, to be watched often.
A Priceless Insight Learned From a Co-Star
What is the most valuable lesson you took away from someone you’ve worked with?
Years ago I performed in A Doll’s House with Pete – now my spouse, but at the time we were not together. We were playing as scene partners and during the premiere I stumbled – I jumped ahead some dialogue in the script. I was unaware what I’d done but I abruptly sensed something wasn’t right. I remember looking at him, and he completely saved me, and then our performance regained momentum and proceeded splendidly. However, I believe what I learned then was, first, consistently rely on the individuals you’re working with. When you lose where you are, if you turn around and toward the actors sharing the stage with, you will find where you’re meant to be somehow. It is a profoundly communal thing, performing live. And next, to maintain a sense of fun about it. Occasionally when a mistake occurs, things can ignite in a really great direction provided you are really present in that moment. It may become an unexpected boon when things go absolutely awry.
Heartening Interactions with Admirers
Can you describe your most memorable encounter with a fan?
It’s not a single particular interaction but when I encounter devotees of Lord of the Rings, especially female fans, I hear a lot of stories about how that character meant to them when they were growing up … events that occurred in their lives and the extent to which that character signified for them and was some kind of help to them in those times.
Which questions get asked about the most by Lord of the Rings fans?
The most specific question is invariably regarding the stew that Eowyn serves Aragorn. “Was the stew as terrible as it looked?” It’s become a running gag, the whole thing about the stew, and everyone wants to know the contents of the pot, and how was it made, and do you think her skills improved now, or do you believe she really is a bad cook? Fans seem, I think, obsessed with the comedy of that scene. And I go into lengthy descriptions describing the ingredients that made up the stew – as I recall what they did; like they even put bits of red cotton to simulate the appearance like bits of veins in the meat. The crew employed extreme measures to make it look as unappetizing as they could.
An Awkward Celebrity Meeting
What was your most cringeworthy run-in with a famous person?
I was at a fitness session and another participant lying down exercising, and the teacher remarked, “Hello Miranda, this is Miranda.” And I made some joke inquiring, “might you be a journalist?” Because it’s an unusual name and often when I meet another Miranda, they work in media. I wasn’t really seeing who it was. And when she got up, it was Miranda Richardson. Then I was at a loss for what to say. I still had to stay and do my class, and I experienced intense awkwardness. I wanted to say: “Goodness, I do know your work!” I think she’s so fabulous and I was simply too awestruck to say anything.
The Source of a Name
It’s been repeatedly stated that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you settle the matter definitively?
Indeed, I was christened for a district in Sydney. My mother heard on the radio that they were opening a shopping centre at Miranda, and the name sounded like a nice name.
Chaos on Set
What was the chaotic thing that’s ever happened on set?
When I was working in Brazil on Reaching for the Moon that was the least organized set of my career, and yet the final product emerged incredibly well. But the local crew operated in a distinct manner. The sense of time there is really different. Typically, you receive a call sheet and you have to be on set by a certain time. But this was sort of flexible – you come on set whenever you happen to be ready. It was a novel approach for me. All aspects were all coming together at the very last minute, and sometimes they wouldn’t know where they were shooting or how we were going to do it. And then you’d be in the middle of a scene and be like, “What caused that sound that just interrupted the scene? Oh, it’s the producer opening a bottle on set, because he’s making a party.” The result was great, but wow, it’s a distinct style of film-making.
A Secret Skill
What are you secretly good at?
I’ve always been an aptitude for numbers. I retain numbers easier than I learn dialogue often, I’ve just got a numerically-oriented mind. So I think if I hadn’t pursued acting, I likely might have entered a field something to do with numbers, like mathematics or accounting.
The Finest Guidance Given
What’s the best piece of advice you have ever received?
When I was in high school, a speaker addressed us when we were graduating and they said, “don’t be afraid to fail” … an idea I consider is supremely valuable counsel, since one gains far more from setbacks than is gained from success. Success, one rarely understand exactly how it happened. Failure, the lessons are so much more.